THE SUBSTANCE | Making-Of Featurette | MUBI
MUBIWriter-director Coralie Fargeat takes us behind the scenes of THE SUBSTANCE, her visionary latest.
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How Drive Reinvented Indie Filmmaking | Cinematography Breakdown ft. Newton Thomas Sigel, ASC
Indy MogulHow do you film a romantic, action cult classic like Drive on a tight budget and no second unit? Cinematographer Newton Thomas Sigel, ASC, walks us through how he made the car rigs and worked in a tiny elevator space and still get cinematic lighting. We talk about shooting around the movement of the sun, negative fill, and lighting cues.
Uncommon Cinematic Lighting Tips
Lewis PottsLewis Potts explores practical techniques for achieving dusk and night interior lighting in daytime environments. Using simple gel setups, unexpected household items for diffusion, and specific rig tools, they demonstrate how to create mood without a large crew or extensive equipment.
Buy a Helios 44-2, trust me.
Micah PowellDOWNLOAD TEST FOOTAGE HERE: https://drive.google.com/drive/folder... Hey guys! here is a quick vid I shot on the Helios 44-2. sorry about the lack of content this week:( heading to costa rica!! so super hyped for the content I'm gonna make there!!!
Helios 44-2 Video Color Grade
Micah PowellHey guys! I release the video about the helios 44-2, I had so many people asking about how I colored it. So here we are. Let me know if you guys have any questions! Shot on Sony A7S3 in Slog3 Phantom Luts:https://www.joelfamularo.com/colour Great Colorists! @dunnadidit @theqazman Micah Powell demonstrates how to color grade log footage to Rec 709 using a specific lens emulation LUT and only three nodes. The process focuses on isolating green tones and enhancing yellow foliage to create a vibrant contrast.